Movies are back. Roy Andersson’s latest film, About Endlessness (Om det oandliga), finally opens in the U.S. after a long COVID-lockdown delay, and it gives every reason — touches every emotion we ...

The Times is committed to reviewing theatrical film releases during the COVID-19 pandemic. Because moviegoing carries risks during this time, we remind readers to follow health and safety guidelines ...

The latest from the "A Pigeon Sat on a Branch Reflecting on Existence" director world premieres in Venice this week. The latest film from the director of “A Pigeon Sat on a Branch Reflecting on ...

You give Roy Andersson 76 minutes, and he'll give you the universe. A Swedish renegade whose pointillistic dioramas of the human condition are pieced together with drollness in much the same way as ...

Short, bittersweet and exquisitely imagined, Roy Andersson's latest compilation of mordant existential sketches finds him on familiar turf, and that's fine. Whether by accident or design, it is most ...

A man sits alone at a table, in a restaurant, reading a newspaper. Beside him is a white-jacketed waiter, holding a bottle of red wine. The man tastes a little of the wine and nods. The waiter starts ...

In one of the many delightful, awful, absurd and not obviously interrelated vignettes that make up Roy Andersson’s “About Endlessness,” a young couple of college age sit in a sparely appointed room, ...

Swedish director Roy Andersson’s 'About Endlessness,' an examination of ordinary human existence, includes a reflection on whether the infinite exists. By Deborah Young If A Pigeon Sat on a Branch ...

Short, bittersweet and exquisitely imagined, Roy Andersson's latest compilation of mordant existential sketches finds him on familiar turf, and that's fine. Whether by accident or design, it is most ...

The Times is committed to reviewing theatrical film releases during the COVID-19 pandemic. Because moviegoing carries risks during this time, we remind readers to follow health and safety guidelines ...