Unconditional loves: the French director discusses her latest, a surreal and moving coming-of-age story that reimagines the ...
Taxi Driver has a lot of negative aspects, but it would be silly to shrug off its baroque visuals and its high-class actor, Robert De Niro, whose acting range is always underscored by a personal ...
The results are in for our 2022 poll of Film Comment’s contributors! Our Top 20 lists in both the Released and Undistributed categories feature original appreciations from our critics, as well as ...
The results are now in for our 2025 poll of Film Comment’s contributors! On this page, you’ll find our list of the 20 best films that were released either theatrically or virtually in 2025 in the ...
The results are in for our 2025 poll of Film Comment’s contributors and colleagues! On this page you’ll find a selection of the individual ballots submitted by our voters for the Best Films of 2025 ...
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A gleefully sensual and inventive comedy, Tampopo was an art-house smash in 1987. Director Juzo Itami drew on American noirs and gangster films and Westerns and probably comic books, too, to come up ...
Last October at the Museum of the Moving Image as part of the Iconic Characters of Comedy series, Jerry Lewis sat down with Martin Scorsese in a meeting of great filmmaker minds. On the eve of the ...
“I don’t know if you’re a detective or a pervert,” remarks Sandy (Laura Derm) to Jeffrey (Kyle MacLachlan) at a crucial juncture in the harrowing new David Lynch picture, Blue Velvet. We never are ...
If Satyajit Ray was the suitable boy of Indian art cinema—unthreatening, career-oriented, reliably tasteful—Ritwik Ghatak, his contemporary and principal rival, was its problem child. Where Ray’s ...
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There’s something strangely sedating about being at the Venice Film Festival. The annual Mostra Internazionale d’Arte Cinematografica takes place not in Venice proper, but on a tiny island called Lido ...