Want to get our stories Straight to your inbox (see what we did there)? Sign up for our newsletter here. The opening eight minutes of LINES+, loscil’s installation for Sound Space—the spatial sound ...
Quite a good run for the Kranky label of late, with a bunch of albums I’ve enjoyed a lot from Ken Camden, Jonas Reinhardt and Disappears. For the past week or so, though, I’ve been really taken with ...
In the last few months, I've spent a generous amount of time writing about ambient music, drone music, and generally music that doesn't have very much of a foothold in any kind of concrete rhythm.
Not far removed from releasing his Philip Glass-inspired LP Monument Builders, Vancouver electro-acoustic veteran Loscil (a.k.a. Scott Morgan) has announced that his next project will be a ...
The inspirational jumping-off points that electronic composer Scott Morgan has cited in regards to his latest album are a worn out VHS copy of Koyaanisqatsi, John Gray’s Straw Dogs, and Edward ...
Both remarkable artists in their own right, Vancouver's Loscil (aka Scott Morgan) and Seattle's the Sight Below (aka Rafael Anton Irisarri) have teamed up to compile a selection of ambient works from ...
Listening to ambient compilations is always weird because it highlights the main weird thing about the genre, which is that sometimes when you put a bunch of dudes that all specialize in texture ...
Loscil has shared details of a new album, Clara. The successor to 2019’s Equivalents, this new record will be released via long-time label home Kranky. You can listen to lead track ‘Vespera’ above.
Whether for his soul or for his songbook, strolling along beaches has apparently done wonders for Scott Morgan, the artist known in electronic and ambient circles as Loscil. The prolific ...
The first track on Loscil’s newest album “Sea Island,” released late last month, isn’t just an exercise in sonic balance -- it’s an exercise in physical balance as well. Loscil, the solo project of ...
Drone music often impacts me visually. I don’t have synaesthesia, it’s just that I’ve spent too many hours watching films with drone-heavy scores. This has resulted in a sort of mongrel blend of ...
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