Painters from Seurat to Matisse were drawn to the circus – not just for its drama and colour, but for the melancholy and alienation it could also represent, writes Alastair Sooke. In 1888, a radical ...
The first time Shana Carroll saw a trapeze artist up close, she was 18-years-old and it changed something inside of her. Carroll had only viewed the circus as a place with glitzy outfits and fancy ...
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