The £120k two-year project has seen the window restored and returned to Salisbury Cathedral.

Henry Wallis, “Chatterton” (c. 1855–56), oil on canvas, 62.2 x 93.3 cm (24 1/2 x 36 3/4 in), Tate Gallery, London (all images courtesy the National Gallery of Art) In its first iteration in London, ...

Winifred Sandys, "White Mayde of Avenel" (after 1902), watercolor on vellum, 8 × 6 inches. Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935 (all images courtesy Delaware Art Museum) ...

Why have there been no great women Pre-Raphaelites? Well, it turns out there were quite a few. The first exhibition to focus on the women behind the movement that took Victorian Britain by storm ...

Truth & Beauty: The Pre-Raphaelites and the Old Masters is an escape. In the mausoleum-like lower galleries at the Legion of Honor, there are no windows to remind you of the outside world. There’s ...

Publication date from publisher's Web site. "Checklist of works exhibited in Washington": pages 246-249. "The Pre-Raphaelite Brotherhood shook the mid-19th-century art world. Effectively Britain's ...

Radicals in their day, the pre-Raphaelites in mid-19th-century England adopted the styles and principles of early-Renaissance artists in an aim to reform the art of their own time, which they found ...

The meaning of art is in the eye of the beholder. To straitlaced Victorians, John Everett Millais’s painting Ophelia epitomized the shocking new ideals of the Pre-Raphaelite Brotherhood, a group of ...

Whether you like 19th century painting or not, it’s hard to ignore the Pre-Raphaelites, and it’s even harder to ignore the powerful beauty of their female models and muses – or “Pre-Raphaelite ...

On “Poetry in Beauty: The Pre-Raphaelite Art of Marie Spartali Stillman” at the Watts Gallery, Surrey. It must have been fun to be a member of the Pre-Raphaelite Brotherhood, but what about the ...

A treasured stained-glass window has been returned to public view following two years of careful restoration ...