The second act of Bellini’s Norma contains two dramatic twists—one an act of solidarity and the other an act of self-immolation. After revealing that Druid priestesses Norma and Adalgisa are each ...
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Performances in N.Y.C. Advertisement Supported by Critic’s Notebook Sonya Yoncheva doesn’t fill out the long lines of “Norma” at the Met, while Angel Blue is a warm, sincere Violetta in “La Traviata.” ...
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